Bla bla bla _ ✖.
"-I'm glad you were home.  -I'm always home. I'm uncool." -  //  Edad: 288 meses. Ciudad de México. - literatura / música / arte / ...and funny shit Instagram
Bla bla bla _ ✖.
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"I’m an adult, but not like a real adult"
anyone between the ages of 18 and 25 (via prettyboystyles)
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By Maxime Chanet

By Maxime Chanet
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"My only regret is that
I didn’t tell enough people
to fuck off."
My 92 year old grandma. (via lipstickbabe)
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Bellas Artes.
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Album Art
406 plays Source
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Godard part 1  #caturday
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digbicks:

Instinct (2012), Anna Di Prospero

Collected into the series Instinct, Anna di Prospero’s images arise spontaneously, as the result of an inner strength, a primordial instinct that led the author to the realization of photographs seemingly disparate and free from any initial planning. Produced between 2011 and 2012, the images differ between self-portraits, genre beloved by the author, and portraits of her boyfriend; fragments of faces (lowering eyes and smiling, talking or kissing mouth) and body (such as hands or the backstrips immortalized often during tender hugs) were associated to an architecture or landscape detail belonging to her mental archive, in which the author experience’s images are. As final choice, Anna Di Prospero composed in diptychs these shots with digital elaborations of photographs of water, clouds, flowers, grass, rocks, dirt and dust. 
digbicks:

Instinct (2012), Anna Di Prospero

Collected into the series Instinct, Anna di Prospero’s images arise spontaneously, as the result of an inner strength, a primordial instinct that led the author to the realization of photographs seemingly disparate and free from any initial planning. Produced between 2011 and 2012, the images differ between self-portraits, genre beloved by the author, and portraits of her boyfriend; fragments of faces (lowering eyes and smiling, talking or kissing mouth) and body (such as hands or the backstrips immortalized often during tender hugs) were associated to an architecture or landscape detail belonging to her mental archive, in which the author experience’s images are. As final choice, Anna Di Prospero composed in diptychs these shots with digital elaborations of photographs of water, clouds, flowers, grass, rocks, dirt and dust. 
digbicks:

Instinct (2012), Anna Di Prospero

Collected into the series Instinct, Anna di Prospero’s images arise spontaneously, as the result of an inner strength, a primordial instinct that led the author to the realization of photographs seemingly disparate and free from any initial planning. Produced between 2011 and 2012, the images differ between self-portraits, genre beloved by the author, and portraits of her boyfriend; fragments of faces (lowering eyes and smiling, talking or kissing mouth) and body (such as hands or the backstrips immortalized often during tender hugs) were associated to an architecture or landscape detail belonging to her mental archive, in which the author experience’s images are. As final choice, Anna Di Prospero composed in diptychs these shots with digital elaborations of photographs of water, clouds, flowers, grass, rocks, dirt and dust. 
digbicks:

Instinct (2012), Anna Di Prospero

Collected into the series Instinct, Anna di Prospero’s images arise spontaneously, as the result of an inner strength, a primordial instinct that led the author to the realization of photographs seemingly disparate and free from any initial planning. Produced between 2011 and 2012, the images differ between self-portraits, genre beloved by the author, and portraits of her boyfriend; fragments of faces (lowering eyes and smiling, talking or kissing mouth) and body (such as hands or the backstrips immortalized often during tender hugs) were associated to an architecture or landscape detail belonging to her mental archive, in which the author experience’s images are. As final choice, Anna Di Prospero composed in diptychs these shots with digital elaborations of photographs of water, clouds, flowers, grass, rocks, dirt and dust. 
digbicks:

Instinct (2012), Anna Di Prospero

Collected into the series Instinct, Anna di Prospero’s images arise spontaneously, as the result of an inner strength, a primordial instinct that led the author to the realization of photographs seemingly disparate and free from any initial planning. Produced between 2011 and 2012, the images differ between self-portraits, genre beloved by the author, and portraits of her boyfriend; fragments of faces (lowering eyes and smiling, talking or kissing mouth) and body (such as hands or the backstrips immortalized often during tender hugs) were associated to an architecture or landscape detail belonging to her mental archive, in which the author experience’s images are. As final choice, Anna Di Prospero composed in diptychs these shots with digital elaborations of photographs of water, clouds, flowers, grass, rocks, dirt and dust. 
digbicks:

Instinct (2012), Anna Di Prospero

Collected into the series Instinct, Anna di Prospero’s images arise spontaneously, as the result of an inner strength, a primordial instinct that led the author to the realization of photographs seemingly disparate and free from any initial planning. Produced between 2011 and 2012, the images differ between self-portraits, genre beloved by the author, and portraits of her boyfriend; fragments of faces (lowering eyes and smiling, talking or kissing mouth) and body (such as hands or the backstrips immortalized often during tender hugs) were associated to an architecture or landscape detail belonging to her mental archive, in which the author experience’s images are. As final choice, Anna Di Prospero composed in diptychs these shots with digital elaborations of photographs of water, clouds, flowers, grass, rocks, dirt and dust. 
digbicks:

Instinct (2012), Anna Di Prospero

Collected into the series Instinct, Anna di Prospero’s images arise spontaneously, as the result of an inner strength, a primordial instinct that led the author to the realization of photographs seemingly disparate and free from any initial planning. Produced between 2011 and 2012, the images differ between self-portraits, genre beloved by the author, and portraits of her boyfriend; fragments of faces (lowering eyes and smiling, talking or kissing mouth) and body (such as hands or the backstrips immortalized often during tender hugs) were associated to an architecture or landscape detail belonging to her mental archive, in which the author experience’s images are. As final choice, Anna Di Prospero composed in diptychs these shots with digital elaborations of photographs of water, clouds, flowers, grass, rocks, dirt and dust. 
digbicks:

Instinct (2012), Anna Di Prospero

Collected into the series Instinct, Anna di Prospero’s images arise spontaneously, as the result of an inner strength, a primordial instinct that led the author to the realization of photographs seemingly disparate and free from any initial planning. Produced between 2011 and 2012, the images differ between self-portraits, genre beloved by the author, and portraits of her boyfriend; fragments of faces (lowering eyes and smiling, talking or kissing mouth) and body (such as hands or the backstrips immortalized often during tender hugs) were associated to an architecture or landscape detail belonging to her mental archive, in which the author experience’s images are. As final choice, Anna Di Prospero composed in diptychs these shots with digital elaborations of photographs of water, clouds, flowers, grass, rocks, dirt and dust. 
digbicks:

Instinct (2012), Anna Di Prospero

Collected into the series Instinct, Anna di Prospero’s images arise spontaneously, as the result of an inner strength, a primordial instinct that led the author to the realization of photographs seemingly disparate and free from any initial planning. Produced between 2011 and 2012, the images differ between self-portraits, genre beloved by the author, and portraits of her boyfriend; fragments of faces (lowering eyes and smiling, talking or kissing mouth) and body (such as hands or the backstrips immortalized often during tender hugs) were associated to an architecture or landscape detail belonging to her mental archive, in which the author experience’s images are. As final choice, Anna Di Prospero composed in diptychs these shots with digital elaborations of photographs of water, clouds, flowers, grass, rocks, dirt and dust. 
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wehadfacesthen:

Burt Lancaster and Deborah Kerr in From Here to Eternity  (Fred Zinnemann, 1953)